Hire Writer The poem has a vivid use of imagination and a controversial use of Holocaust as metaphors by Sylvia Plath. Daddy You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you.
She started to talk like a Jew and to feel like a Jew in several different ways. She wonders in fact, whether she might actually be a Jew, because of her similarity to a gypsy. To further emphasize her fear and distance, she describes him as the Luftwaffe, with a neat mustache and a bright blue Aryan eye.
When she remembers Daddy, she thinks of him standing at the blackboard, with a cleft chin instead of a cleft foot.
However, this transposition does not make him a devil. When that attempt failed, she was glued back together. She considers that if she has killed one man, then she has in fact killed two. Comparing him to a vampire, she remembers how he drank her blood for a year, but then realizes the duration was closer to seven years.
She tells him he can lie back now. There is a stake in his heart, and the villagers who despised him now celebrate his death by dancing on his corpse.
It has elicited a variety of distinct reactions, from feminist praise of its unadulterated rage towards male dominance, to wariness at its usage of Holocaust imagery.
It has been reviewed and criticized by hundreds and hundreds of scholars, and is upheld as one of the best examples of confessional poetry.
It is certainly a difficult poem for some: She casts herself as a victim and him as several figures, including a Nazi, vampire, devil, and finally, as a resurrected figure her husband, whom she has also had to kill.
Plath explained the poem briefly in a BBC interview: The poem is spoken by a girl with an Electra complex. The father died while she thought he was God. Her case is complicated by the fact that her father was also a Nazi and her mother very possibly part Jewish. In the daughter the two strains marry and paralyze each other —she has to act out the awful little allegory once over before she is free of it.
Neither its triumph nor its horror is to be taken as the sum total of her intention. Instead, each element is contradicted by its opposite, which explains how it shoulders so many distinct interpretations.
It uses a sort of nursery rhyme, singsong way of speaking. This establishes and reinforces her status as a childish figure in relation to her authoritative father. However, this childish rhythm also has an ironic, sinister feel, since the chant-like, primitive quality can feel almost like a curse.
Even the vampire is discussed in terms of its tyrannical sway over a village. In this interpretation, the speaker comes to understand that she must kill the father figure in order to break free of the limitations that it places upon her. In particular, these limitations can be understood as patriarchal forces that enforce a strict gender structure.
It has the feel of an exorcism, an act of purification. And yet the journey is not easy. She realizes what she has to do, but it requires a sort of hysteria. In order to succeed, she must have complete control, since she fears she will be destroyed unless she totally annihilates her antagonist.
And yet its ambivalence towards male figures does correspond to the time of its composition — she wrote it soon after learning that her husband Ted Hughes had left her for another woman.
Further, the mention of a suicide attempt links the poem to her life.
It is less a person than a stifling force that puts its boot in her face to silence her. From this perspective, the poem is inspired less by Hughes or Otto than by agony over creative limitations in a male literary world.Critical Analysis of Sylvia Plath’s Daddy. Critical Analysis of Sylvia Plath’s “Daddy” Sylvia Plath uses her poem, “Daddy”, to express intense emotions towards her father’s life and death and her disastrous relationship with her husband.
Sylvia Plath was one of the most dynamic and admired poets of the 20th century. By the time she took her life at the age of 30, Plath already had a following in the literary community.
Sudoku is one of the most popular puzzle games of all time. The goal of Sudoku is to fill a 9×9 grid with numbers so that each row, column and 3×3 section contain all of the digits between 1 and 9. Rhyme And Rythm in Blake's A Divine Image - Rhyme And Rythm in Blake's A Divine Image In "A Divine Image", Blake uses several techniques and literary devices, to transmit his thoughts about social injustice, cruelty and human nature, Rhyme and rhythm are two of the main features in this poem this poem is the rhythm affect the whole mood, tone and meaning of the poem.
"Daddy," comprised of sixteen five-line stanzas, is a brutal and venomous poem commonly understood to be about Plath's deceased father, Otto Plath. The speaker begins by saying that he "does not do anymore," and that she feels like she has been a foot living in a black shoe for thirty years, too.
- An Analysis of Sylvia Plath's Poem, Daddy Sylvia Plath's famous poem "Daddy" seems to refer quite consistently to her deceased father (and obliquely to her then estranged husband Ted Hughes) by use of many references that can clearly be associated with the background of Otto Plath, emphasizing his German heritage.