Narcissus was a youth of great beauty who loved only himself and broke the hearts of many lovers.
This painting uses a lot of images to say what it means, for example, a person, a hand, water, a starving dog, a chess board, a canyon or cliff, and people.
This is not to fill the paper or distract the viewer from the suggested meaning or point, but to support the idea that hope and despair are reflections of one another; on opposite sides of a coin, spinning in mid-air, waiting to land and fix or destroy everything.
From afar, it appears as if he simply cut the canvas down the middle and made one side brown and the other blue, but on closer inspection, one sees that the two sides, although very similar, are nothing alike.
On one side, there sits a limp body staring at the reflection of herself in the water that she sinks in.
The setting sun glistens off the back of her head, but she just wallows in grim depression and boredom. The canyons trap her in the barren wasteland as she sits motionless, without movement, struggle, or life.
This mysterious figure looks so vacant that it might as well be dead. On the other side, a blue decaying hand emerges from the ground with ants crawling on it, possibly making their homes in it or finding food on it.
Atop this pedestal, rests an egg with a flower sprouting from it. This display of life emerging from the dead is a symbol of hope and beauty. To the left of the hand, a very unhealthy malnourished dog feasts on fresh meat; his salvation is handed to him and he survives.
Behind the dog is a chess board with a young man in the middle of it, proudly surveying the battlefield as though it were his kingdom. To his left are people on a road that leads off into the horizon.
All these things symbolize new beginnings out of old life and hope from death. The message that Salvador Dali was trying to get across is that hope and despair, failure and victory, and life and death are all equal forces, each one pulling the other in an eternal war to balance everything.
The preliminary sketches of the work began in May ofand was commissioned by the official Republican government of Spain in January of the same year. Picasso was given a large studio in which to conduct his artistic endeavors in partial payment for the work which was being done.
Picasso went through many artistic periods throughout his career as an artist, one of which was cubism. In a few ways, Guernica, somewhat broke from the traditional cubism which he had a hand in inventing.
The painting makes use of a two dimensional picture plain with all of the objects on the canvas appear flat looking as is dictated by the cubism style. The picture plain is not, however, fractured like many of the previous works which were categorized under the same style.
Picasso explained that the work was not specifically about the bombing of Guernica, nor was it specifically about the Spanish Civil War which was the culprit in this destructive incident. It was rather a broad statement about human beings fighting amongst themselves, and the chaos which would ensue should such hateful human relationships be allowed to continue as they had in Guernica, Spain.
The organization of the piece was carefully planned in the forty-five preliminary sketches, which obviously concentrated on leading the eye thorough the composition. The objects themselves balance each other well to create a peaceful composition.
Picasso makes a conscious effort to emphasize the bull, the horse and the woman in the window as each of these images are important to the symbolic aspect of the graphic depiction of the bombing of Guernica.
As one looks at the overall movement in the painting, they get a sense of frozen motion unlike what is typical of the futurism style of composition. The idea that everything came to a sudden halt with no time to come to a real rest.
The one piece of evidence contrary to this is the soldiers arm which lays peacefully across the ground. Picasso uses dominantly blacks and whites using value changes in few areas over the picture plain.
He uses line extensively, with almost geometric shapes taking form and leading the eye as can be seen in many of his pre-production sketches. Texture is kept to a minimum in the specific work as it is a very two dimensional art work and as is common of the cubism style.
He has made extremely good use of space as nearly the entire canvas is used, while maintaining the balance which is necessary to keep the composition aesthetically pleasing. Among the many symbolic images in the work are a bull, a horse a soldier with a broken sword and a woman looking out of a window with a very concerned look on her face.The Metamorphosis of Narcissus by Salvador Dali is an abstract painting on Ovid’s tale of Narcissus and Echo.
This oil on canvas painting portrays many feelings that come from the story. This oil on canvas painting portrays many feelings that come from the story. An Analysis of the Painting, Metamorphosis of Narcissus by Salvador Dali PAGES 2. WORDS 1, View Full Essay. More essays like this: salvador dali, metamorphosis of narcissus.
Not sure what I'd do without @Kibin - Alfredo Alvarez, student @ Miami University. Exactly what I needed. The painting Metamorphosis of Narcissus() by Spanish Surrealist painter, Salvatore Dali (11 May – 23 January ), portrays Narcissus’s transformation from a man to a flower.
From the folktale, Narcissus stoops to get a drink of water but becomes hopelessly in love with his own reflection and stays there till his death. In Dali’s .
The Metamorphosis of Narcissus is a work by Salvador Dali, painted in He used the technique of oil paints on canvas, and the painting . Salvador Dali Metamorphosis of Narcissus Paintings Story, Review and Analysis Dalí's inspiration for this painting came from a conversation overheard between two fishermen discussing a local man who would stare at himself in a mirror for hours.
Salvador Dali’s work is particularly useful for the application of psychoanalytical theories because ‘It was only after the writings of Freud revealed to him the symbolic world of the unconscious as a buried reality did he give full rein to his bent Textual Analysis - Metamorphosis of Narcissus.
4 Pages. Textual Analysis - Metamorphosis.